Ioana Aron

Visual Artist

About

I am an artist driven by the intricate interplay of text and image in our media-saturated world. My work, influenced by a diverse range of cultures experienced through global exhibitions and residencies, delves into the complexities of human experience. Through various mediums, I aim to explore the essence of the female artist, weaving a narrative that transcends boundaries.

As the co-founder and editor-in-chief of ETAJ magazine, I advocate for artists to shape their own narratives. My book, "The Field. IL Y A," now housed in the National Museum of Contemporary Art of Romania, exemplifies my commitment to pushing artistic boundaries. I am dedicated to furthering my exploration through a Ph.D. thesis on text-image relationships. Each project I undertake is a piece of a larger puzzle, expanding and enriching the artistic universe I have crafted.

—Ioana Aron

Contact Details

Education

Selected Exhibitions

Editorial Projects

Awards

Collections

Selected Articles and Interviews

References

The project titled Dans Ma Rue that loana Aron develops is a complex artistic process that becomes gradually a site-specific art place. The artist researches, in a feminist key, issues related to emigration, multiculturalism, gender, and the presence of the female artist in the cultural destiny of a center of European / Universal culture, Paris. Her works of painting, drawing, object, and video live in a coherently thought architecture, and capture, holistically, and poetically, with a lot of plastic virtuosity, accompanied by artistic maturity, existential, inner/outer cityscape, an etat d'ame of the city.

—Marinela Preda Sanc
Artist and professor at The National University of Arts Bucharest, 2022

In her ambitious installation project, Dans Ma Rue, Ms. Aron invites us to consider just that - which Paris belongs to which immigrants whose Parisian experience became their homes, and ineluctably influenced their art, their lives, and their place in art history. She has focused on only immigrant women artists, as she too is a woman artist shaped by her Parisian sojourns, short and long. In essence, she hopes we can appreciate the sense of community that develops as the artist finds friends and establishes Parisian bonds. These localized environments characterize a specificity that becomes the Paris of one's consciousness, the Paris that germinates and develops from within.

—Marbeth S. Gersh-Nesic
Ph.D., director and owner of New York Arts Exchange, staff writer, Bonjour Paris, 2022

What I found interesting in her approach is the fact that, without completely renouncing the figurative, she incorporates it in tense abstract structures, where the collage with elements apparently taken from outwardly, refers to an unfettered and courageous self. introspection. Her works are a kind of assemblage of various techniques, which work together to give the impression of an assumed drama honest and intelligently displayed. Besides, loana Aron is also an interesting writer of a journal, in which the research of one's own psyche and the exploration of its formulation is as close as possible to the real intensity and as expressive as possible manifests an impressive self-search for a man young man.

—Magda Cârneci
poet and art historian, 2019

When talking about loana Aron's persona, the first thing to notice is her young age, seen in contraposition with her utterly long resumé. She started as a prodigy and, during her university years, she was constantly traveling, exploring, visiting schools and studios. Her unsettled spirit and nomadic character make her art complicated, and aerial, yet unfinished.

She uses herself in relation to daily experiences, trying to absorb everything that makes her senses vibrate. Sometimes, from too much enthusiasm, she blends everything in the same pot, making the discourse hard to decipher. Nevertheless, she delivers a lot - paintings, drawings, objects, installations, collages, letters, videos, and poetry. Her gaze towards the others is surprised and innocent, even when she explores mature sides of womanliness, sexuality, or light psychoanalysis. She drives her ideas towards a romantic duality, transcribed in common keywords, such as the Good and the Bad, the Fairy and the Slut, the Seen and the Unseen, etc.

—Simona Vilau
curator and artist, 2017

Paintings of the artist loana Aron reveal her great interest in the connection between art and society in rare creativity and in fascinating artistic combinations of clarity with abstract areas that blur places or identities. Ioana Aron enlists her passion, professionalism, and experience through palette of colours and black and white that are translated into stains and lines that create tension and interactions between them. Her works are original and mesmerize the viewer because they manage to convey emotion and interest.

—Roni Ben Ari